Fyodor dostoyevsky the idiot6/21/2023 ![]() ![]() ![]() Kurosawa's "The Idiot" is openly humanist. The Divine, Kurosawa is arguing, is not going to provide modern Japan with the solutions it needs to be kind and gentle. ![]() The scene in which Kameda says this is to the literally deaf ear of an older woman siting next to a Shinto shrine. Indeed, Kameda even says out loud that he doesn't particularly believe in God. ![]() Kurosawa's Kameda is more secularly philosophical, living by the practical, immediate gentleness of his soul, rather than by the example of any God or holy figure. If he could succeed, Dostoyevsky believed, he would show that Christ-like goodness is indeed possible and so the very. The hopefulness in Kurosawa's film comes not from Christian doctrine, nor is it even religious in origin, really. Dostoyevsky’s next major novel, Idiot (186869 The Idiot), represents his attempt to describe a perfectly good man in a way that is still psychologically convincingseemingly an impossible artistic task. The story tells of the destruction of a pure soul by a faithless world." "It may seem ironic, choosing a young idiot as his hero, but in this world, goodness and idiocy are often equated. In opening dialogue, Kurosawa lays out his themes plainly: "Dostoyevsky wanted to portray a genuinely good man," it said. The action of Kurosawa's film is updated to the 1940s, and the setting is transposed to the city Sapporo on Hokkaido, the north island of Japan - hardly the bustling metropolis of St. ![]()
0 Comments
Leave a Reply. |